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What's On > Autumn/Winter 2008/9 Season >
VERVEY TEXTILE & MIXED MEDIA ARTISTS The
Vervey group of seven textile and mixed media artists was formed in 2006.
Their aim is to provide encouragement for each other to develop their
work and so push forward the boundaries of textile and mixed media art whether
real or imaginary. Each member of the group has their own unique style which
contributes to the diversity and interest of their exhibitions. ‘Reworked, Recycled, Revealed’ Linda
J Calverley The
inspiration for this collection of work came from Linda’s doodle/sketch book.
Some of the drawings are copied from photographs such as people, animals, and
places and others are drawings of items found about the house. Most of the
drawings are from her imagination and the ones she decided to ‘rework’ on
were the pictures of houses. The first ‘house’ picture in the sketch book,
of which there are many, came about when Linda was thinking of a project she did
at college [BA(Hons)Textile & Surface Design] which included the tall
buildings of New York and were drawn in a naive style.
The
‘recycled’ items used include newspapers, old music, faulty/test inkjet
prints, vintage prints, magazines, books, scraps of wallpaper, till receipts,
painted paper scraps from previous projects, old art work [mainly for
backgrounds] paper bags, letters, envelopes, old calendars, scraps of fabric,
cut offs from curtains, furnishing fabric samples and vintage fabrics. All
the pictures are enhanced with stitching whether they are made from fabric or
paper. The finished work is ‘revealed’.
Website
www.linsart.co.uk Helen Dickson Helen has always loved the costume and pageantry of dance and opera,
however, having left it a little late to start ballet! She decided to express
her interest through her artwork. She
has found inspiration in all aspects of performance from Swan Lake to pantomime
and has combined printing, drawing, paper cutting and stitch to create her
pieces.
The concept for the project was to recycle and rework, Helen decided to
re-use all the old pieces of work she had stored in her home which, having spent
years never throwing anything away, was quite a few! Some pieces lent themselves
immediately to the theme:- a previous project had been 'Baroque' so the colours
and drama were naturally theatrical. She did find however that even a tiny fragment of a long lost
sketch could spark off a whole new artwork, revealing a hidden depth in
something that had long since been forgotten. Claire
A Baker Claire
A Baker is a textile designer and lecturer living in Stockton-on-Tees. Her work
for this exhibition was inspired by the beauty of the found objects themselves
that she incorporates, and a poem, 'Make Me A Dress', written by her Myspace
friend Séan.
Claire
makes use of vintage fabrics and ephemera, reworking scraps and creating new and
exciting compositions in collage and embroidery. She is intrigued by the idea of
revelation and feels her work enigmatically gives a glimpse into past era's and
the forgotten lives of others through the mixed media discipline especially hand
embroidery. Gillian Tallentire Moving
On. Gillian
normally works within the medium of textile art, but with this project
“Reworked, Recycled, Revealed” she wishes to stretch herself, by bringing in
other medium to mix with stitch and create another dimension of art within her
remit.
Having
always been a hoarder, Gillian often uses old fabrics and objects within her
textile work. Here, she has
continued to look at recycling, by using paper, be it old photographs, envelopes
and letters, but uses them in such a way that it reveals some of her thoughts
and memories. The handing down of
old stories, by word of mouth, the memories revealed by old postcards and
photographs are elements of recycling. By
reworking some of today’s recyclable waste Gillian has created these art
pieces for inclusion in this exhibition. Helen Winthorpe
Kendrick Helen
Winthorpe-Kendrick is a free lance textile artist and teacher living near
Darlington. She enjoys the
challenge of incorporating a ‘story’ into her pieces. She uses the
expressiveness of threads and the variety of fabric to convey a theme or idea. These stories are sometimes obvious but mostly hidden and
intertwined.
In
this exhibition Helen has incorporated the use of more unusual materials.
Computers are used in all walks of modern day life, indeed they have
become an essential part of how we communicate, how we work and how our lives
are organised – if not by ourselves then by some outside ‘body’.
In the accompanying pieces, discarded computer parts are used to convey
the uses to which they may once have been put.
Computers are used as an aid in designing architecture – here the
circuit boards are used to represent high rise office blocks.
Computers are used to send information about stocks and share prices very
quickly to other parts of the world - here computer parts are used to represent
the rise and fall of share prices and the credit crunch which has affected so
many people. Fire
is a violent recycler of material, changing anything in its path to carbon
dioxide, water vapour, pollutant gases and ash. ‘Wild Fire’ represents an out of control fire of
woodland. ‘Conflagration’
depicts the devastation of a building as its various contents succumb to flame. Margaret Sweet Margaret lives
in Darlington and she is proud to be born in the North East. She doesn’t have
to travel far to appreciate the beautiful surroundings she lives in, even
industry has been a great inspiration for her work. A keen needlewomen from a
very young age she now has the time to follow her passion. Her work includes the making of several Masonic
Banners, Embroidery Commissions for private collections. Margaret is also a
trained Milliner and her hats have graced such occasions as Royal Ascot and
Society Weddings.
Oxidization of Copper was the starting point of her
exhibition work; texture and colour were her main interest revealing the uneven
surfaces and colour changes, Margaret’s work progressed still using the copper
theme to recycling packaging by melting, shrinking, reworking and revealing new
shapes. Various mediums were added to change the surface textures, oil pastels
and acrylic paints were used to colour surfaces, and straight stitches, knots,
beads and wire were then added. Marian Graham Title:
ONE, TWO, BUCKLE MY SHOE. This
body of work has evolved from a previously completed project based on a
grandmother's memory box in which there was a child's first pair of shoes. Using
the shoes as a concept Marian has revisited the memories of her childhood which
in the fifties was carefree and innocent with none of the pressures that
children are subjected to today in the fashion or academic arena to compete
with their peers at an early age.
So
by revisiting her memories of childhood and viewing it through the eyes of
today, Marian's work at first sight looks innocent and carefree but on closer
inspection the subtle but persistent pressures placed on the children of today
reveal a less carefree childhood than we perhaps like to think.
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Maintained by Jerry Cooper | ||||||||||